At the Tate Modern in London the exhibition "The EY Exhibition: Cezanne"

At the Tate Modern in London an unrepeatable exhibition of paintings, watercolors and drawings by Paul Cezanne (1839-1906). The EY Exhibition: Cezanne brings together over 80 carefully selected works from collections in Europe, Asia, North and South America, giving UK audiences their first opportunity in over 25 years to explore the breadth of Cezanne’s career. Featuring key examples of his iconic still life paintings, Provençale landscapes, portraits and bather scenes, the exhibition includes over 20 works never seen in the UK before such as The Basket of Apples c.1893 (The Art Institute of Chicago), Mont Sainte-Victoire 1902-06 (Philadelphia Museum of Art) and Still Life with Milk Pot, Melon, and Sugar Bowl 1900-06 (private collection). New research into the colours, compositions and techniques used in these works will reveal how the artist’s bold approach challenged conventions and in ways that continue to influence painters working today.

 

 

Famously referred to as the “greatest of us all” by Claude Monet, Cezanne remains a pivotal figure in modern painting who gave license to generations of artists to break the rules. Created amid a rapidly accelerating world, his works focus on the local and the everyday, concentrating on the artist’s own personal experiences to make sense of the chaos and uncertainty of modern life.

 

Visitors to Tate Modern discover the events, places and relationships that shaped Cezanne’s life and work. The exhibition tells the story of a young ambitious painter from the southern city of Aix-en-Provence, determined to succeed as an artist in metropolitan Paris in the 1860s, yet constantly rejected by the art establishment. It reveals how he befriended Camille Pissarro and associated with the impressionists in the 1870s, but soon distanced himself from their circle and the Parisian art scene to forge his own path, returning to his native Provence in relentless pursuit of his own radical style.

 

 

The exhibition traces Cezanne’s artistic development from early paintings made in his twenties such as the striking portrait Scipio 1866-8 (Museu de Arte de São Paulo) through to works completed in the final months of his life like Seated Man 1905-6 (Museo Thyssen-Bornemisza, Madrid). Highlights include a room of outstanding paintings depicting the limestone mountain Sainte-Victoire, charting the dramatic evolution of his style through this single motif. Another gallery brings together several magnificent examples of Cezanne’s bather paintings, a lifelong subject for the artist, including The National Gallery’s Bathers 1894–1905, one of his largest and most celebrated paintings created in the final stage of his career.

 

 

While Cezanne is often mythologised as a solitary figure, the exhibition spotlights the relationships central to his life, particularly his wife Marie-Hortense Fiquet and their son Paul, immortalised in paintings such as Madame Cezanne in a Red Armchair c.1877 (Museum of Fine Arts, Boston) and Portrait of the Artist's Son 1881-2 (Musée de l’Orangerie, Paris). It examines Cezanne’s intense relationship with childhood friend Émile Zola and reveals how peers such as Monet and Pissarro were among the first to appreciate his unique vision. Many great artists even collected Cezanne’s works, with previous owners including Paul Gauguin, Pablo Picasso, Henri Matisse and Henry Moore. The exhibition catalogue, wall texts and audio guides feature contributions by contemporary artists including Kerry James Marshall, Lubaina Himid and Phyllida Barlow as a testament to Cezanne’s continuing legacy as an inspirational figure to artists today.

 

The EY Exhibition: Cezanne at London is organised by Tate Modern and the Art Institute of Chicago. It is curated by Natalia Sidlina, Curator, International Art, Tate Modern, Gloria Groom, Chair and David and Mary Winton Green Curator, Painting and Sculpture of Europe, Caitlin Haskell, Gary C. and Frances Comer Curator, Modern and Contemporary, Art Institute of Chicago and Michael Raymond, Assistant Curator, International Art, Tate Modern.